וְיֵעָשׂוּ כֻלָּם אֲגֻדָּה אֶחָת לַעֲשׂוֹת רְצוֹנְךָ בְּלֵבָב שָׁלֵם
וְיֵעָשׂוּ כֻלָּם אֲגֻדָּה אֶחָת לַעֲשׂוֹת רְצוֹנְךָ בְּלֵבָב שָׁלֵם
As Parashat Beshalah begins, the Israelites are soon trapped between the Sea and the oncoming Egyptian army. What will they do? Incredibly, Gandalf raises his magic staff and the Sea splits! Wait… I mean Moses.
Click HERE for an audio recording of this D’var Torah
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Click HERE for an audio recording of this D’var Torah
A D’var Torah for Parashat Beshalah
By Rabbi Jill Hackell (’13)
The Book of Exodus starts with the heroism of the midwives, who refuse to abide by Pharaoh’s terrible decree to kill the newborn boys born to the Israelites. This introduction provides an interesting lens through which to view our parashah of Beshalah. (Full disclaimer: my daughter-in-law is a midwife, and I am a loyal viewer of the PBS show “Call the Midwife.” And I am a mother).
In our parashah, the Israelites who have grown up in Egypt have left to begin their journey, but their way is blocked by the sea. At God’s command, Moses lifts up his arm over the sea, and God drove back the sea. The text tells us, “The waters were split, and the Israelites went into the sea on dry ground, the waters forming a wall for them on their right and on Read More >
Click HERE for an audio recording of this D’var Torah
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A D’var Torah for Parashat Beshalah
By Rabbi Len Levin
This week’s joyful song at the crossing of the Sea is ensconced in the daily liturgy, morning and evening: “Who is like You, O Lord, among the celestials; who is like You, majestic in holiness, awesome in splendor, working wonders!” (Exod. 15:11) Thus the liturgy utters three ringing declarations about God: God creates, God reveals Torah in love, God redeems.
A naïve understanding would have it that God is active and we are passive in these three actions. But a more sophisticated approach asks: Does God act unilaterally? Can anything happen in human history without human participation and cooperation?
Two weeks ago, God promised: Ve-hotzeiti etkhem—“I will bring you out” (Exod. 6:6). In his liturgical poem Kehosha’ta Elim accompanying the Sukkot lulav processional, the 7th-century poet Eleazar Kalir read this verse ve-hutzeiti itkhem—“I will be brought out with you.” Abraham Read More >
A D’car Torah for Parashat Beshallah
By Rabbi David Evan Markus
It’s an occupational hazard. We clergy so delight in bringing Torah to life and liturgy to life that we might unashamedly “geek out” – especially when we do both at the same time. When I link Torah with liturgy in ways that enliven both, my joy can be irrepressible. (Thankfully my New York congregation seems to like it, and my closest friends at least grudgingly tolerate it.)
This week’s portion (Beshallah) and its Song of the Sea seem ready-made for this Torah-liturgy two-fer of joy.
Morning and evening, traditional liturgy after the Shema brings us to the Sea of Reeds (Ex. 14). We reach the shore of entrapping finitude and then, with holy help, we’re invited to see the impossible into being. By suspending disbelief and experiencing the miracle, we can go free again and again. This journey from bondage to freedom is the journey of Jewish Read More >
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by Cantor Sandy Horowitz
The narrative of parashat Beshalah describes numerous dramatic events immediately following our ancestors’ liberation from slavery, in which the power of God plays a central role. God leads the people as a pillar of cloud by day and a pillar of fire by night; when the Israelites reach the Sea of Reeds and seem to have no way forward God instructs Moses to raise his rod and the sea splits, allowing them to cross to safety. There is the destruction of the Egyptians who chase after them; there is the shirat hayam, the song at the sea in praise of God. There is also complaining, and bitter waters made sweet by the rod of Moses at God’s commandment, and manna from heaven, the daily portion, again provided by God.
Then towards the end of this week’s story Amalek approaches, and Moses instructs Joshua to lead the battle against Read More >
by Cantor Sandy Horowitz
There are many remarkable aspects of Shirat Hayam, the “Song of the Sea”, which occurs in parashat Beshalah (Exodus 15:1-18): the way it looks on the page of the Torah scroll, the musical traditions that accompany its recitation; but probably most remarkable of all is the first verse of the Song.
Shirat Hayam is a song of praise that is recited after the Israelites have safely crossed the parted waters of the Sea of Reeds in their escape from Egyptian slavery. It recounts the story of their escape and the subsequent destruction of the Egyptians who pursued them.
For anyone reading from or looking at the Torah scroll, the visual impact of Shirat Hayam is striking. We pause when we see it, we observe the symmetrical columns on each side, with words widely spaced out between the columns.
The auditory experience is equally unique. Special trope is used for those Read More >
Hazzan Marcia Lane
Although the most distinctive aspect of this week’s parashah is the magnificent crossing of the Sea of Reeds, this parashah is full of fascinating detail, and precursors of other episodes to come. At times it appears that the Torah is talking to itself. This inter-textuality is both a challenge and a joy. It keeps the investigation of Biblical language fresh and it feeds the art of interpretation. For example, this week we have the following familiar scene of complaining:
The Israelites said to them (Moshe and Aharon): If only we had died by the hand of the Lord in the land of Egypt, when we sat by stewpots, when we ate our fill of bread! For you have brought us out into this wilderness to starve us to death! (Exodus 16:3)
When the people grumble — as they will repeatedly throughout their journey — God tells Moshe:
I have heard the grumbling of Read More >
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